Photographic prints and negatives showing William Ronald Dodds Fairbairn, members of his family, and others., 1891-circa 1960.
Identifier | MS.50251 |
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Dates | 1891-circa 1960. |
Extent | 50 |
Agent | Fairbairn, Sir Nicholas Hardwick, lawyer and politician, 1933-1995 Fairbairn, William Ronald Dodds, psychiatrist and psychoanalyst, 1889-1964: recipient Sutherland, John Derg, psychoanalyst, 1905-1991: recipient Birtles, Ellinor Fairbairn, b 1927 (daughter of William Ronald Dodds Fairbairn) Fairbairn , Marion Francis, 1907-1995 (second wife of William Ronald Dodds Fairbairn) Fairbairn, Cosmo, b 1929 (son of William Ronald Dodds Fairbairn) Fairbairn, Cecilia, mother of William Ronald Dodds Fairbairn, 1854-1946: depicted Rushforth, Margaret Winifred, psychoanalyst, 1885-1983: depicted |
Subject | Photographs Photocopies Copies. Derivative objects |
Notes | scopecontent 749a6401bc71014738906370fa410ad8 The photographs are arranged chronologically. Unless otherwise specified the photographs are black and white. Photographic prints. Photographic copy, [20th century], of a studio portrait, [1891], of William Ronald Dodds Fairbairn with a dog. Folio 1. Photographic copy, [20th century], of a studio portrait, [?1895], of William Ronald Dodds Fairbairn. Folio 2. Carte-de-visite, 1902, of a studio portrait of William Ronald Dodds Fairbairn, standing. The portrait is from the studio of Alexander Ayton, Edinburgh. The reverse of the card has been inscribed by Fairbairn: “To dearest Mother With Ronald’s fondest love June 15. 1902”. Folio 3. Carte-de-visite, 1902, of a portrait of William Ronald Dodds Fairbairn, seated. The portrait is from the studio of Alexander Ayton, Edinburgh. The reverse of the card has been inscribed by Fairbairn: “To dear Mother With Ronald’s best love June 15. 1902”. Folio 4. Photographic copy, [20th century], of a photograph, [circa 1904], of William Ronald Dodds Fairbairn on the external steps of a property. Folio 5. Cabinet photograph, [circa 1907], of a studio portrait of William Ronald Dodds Fairbairn standing, holding a book. The portrait is from the studio of [Alexander] Ayton, Edinburgh. Folio 6. Cabinet photograph, [circa 1907], of a studio portrait of William Ronald Dodds Fairbairn, head and shoulders only. The portrait is from the studio of [Alexander] Ayton, Edinburgh. Folio 7. Photographic portrait, [1915], of William Ronald Dodds Fairbairn in military uniform as a Second Lieutenant, 440 Siege Battery, Royal Garrison Artillery (Territorial). The portrait is from the studio of James Norval, Dunfermline. Folio 8. Photographic proof, [20th century], of a copy of a photographic portrait, [1915], of William Ronald Dodds Fairbairn in military uniform as a Second Lieutenant, 440 Siege Battery, Royal Garrison Artillery (Territorial). Folio 9. Photographic portrait, [1926], of William Ronald Dodds Fairbairn. Folio 10. Photographic copy, [20th century], of a photograph, [1929], of: (left to right) Mary Fairbairn, Ellinor Fairbairn and William Ronald Dodds Fairbairn. Folio 11. Photographic copy, [20th century], of a photograph, [1930], of: (left to right) Ellinor Fairbairn and William Ronald Dodds Fairbairn in Angus. Folio 12. Photographic proof, [20th century], of a copy of a photograph, [circa 1930], of William Ronald Dodds Fairbairn on holiday in Scotland. Folio 13. Photographic copy, [20th century], of a photograph, [1934], in Edinburgh of: (top row, left to right) William Ronald Dodds Fairbairn; Cecilia Fairbairn; (bottom row, left to right) Cosmo Fairbairn; Nicholas Fairbairn; Ellinor Fairbairn. Folio 14. Photographic copy, [20th century], of a photograph, [1937], taken in the Lake District showing (left to right): William Ronald Dodds Fairbairn; Cosmo Fairbairn. Folio 15. Photograph, [circa 1938], of (left to right): William Ronald Dodds Fairbairn; Nicholas Fairbairn. Folio 16. Photographic copy, [20th century], of a photograph, [1939], of: (left to right) Ellinor Fairbairn; William Ronald Dodds Fairbairn. Folio 17. Photograph, [circa 1942], of: (top row, left to right) Cosmo Fairbairn; Ellinor Fairbairn; (bottom row, left to right) Mary Fairbairn; Nicholas Fairbairn; William Ronald Dodds Fairbairn. Folio 18. Photographic proof, [20th century], of a photograph, [circa 1949], taken at Gifford of: (left to right) Nicholas Fairbairn; William Ronald Dodds Fairbairn. Folio 19. Photograph, [circa 1949], of William Ronald Dodds Fairbairn in his consulting room in Grosvenor Crescent, Edinburgh. Folio 20. Photograph, [1949], of Cosmo Fairbairn at Fountains Abbey, Yorkshire. Folio 21. Photograph, [circa 1950], of Nicholas Fairbairn at an unknown location. Folio 22. Photograph, [circa 1950], of Lochside Cottage, Duddingston, Edinburgh. Folio 23. Photograph, [circa 1950], of: (left to right) unidentified female; William Ronald Dodds Fairbairn; unidentified male. Each person is wearing a label which would suggest that they may be delegates at a conference. Folio 24. Another photograph, [circa 1950], of the same group shown in folio 24, in the same order, but close up. Folio 25. Photographic enlargement, [20th century], of the head and shoulders of William Ronald Dodds Fairbairn taken from folio 25 (above). Folio 26. Colour photograph, [1959], taken at Lochside Cottage, Duddingston, Edinburgh, of: (left to right) Nicholas Fairbairn; Cosmo Fairbairn; William Ronald Dodds Fairbairn. Folio 27. Photograph, [circa 1959], taken at Lochside Cottage, Duddingston, Edinburgh, of: (left to right) William Ronald Dodds Fairbairn; Marion Fairbairn. Folio 28. Photograph, [circa 1960], of: (left to right) Marion Fairbairn; William Ronald Dodds Fairbairn. The photograph is from the Courtland Press Bureau. Folio 29. Photograph, [1960], taken at Adam House, Edinburgh, of: (left to right) William Ronald Dodds Fairbairn; John Sutherland; Winifred Rushforth. The photograph was taken by the ‘Edinburgh Evening News’. Folio 30. Photocopy, [20th century], of a photograph, [circa 1960], of William Ronald Dodds Fairbairn relaxing, probably at home, with a cat. Folio 31. Photographic negatives from which certain of the images from the sequence folios 1-29 are prints. In most cases these will not be the original negatives. There date is uncertain. Photographic negative, undated, of which folio 1 is a positive. Folio 32. Photographic negative, undated, of which folio 2 is a positive. Folio 33. Photographic negative, undated, of which folio 5 is a positive. Folio 34. Photographic negative, undated, of which folio 6 is a positive. Folio 35. Photographic negative, undated, of which folio 9 is a positive. Folio 36. Photographic negative, undated, of which folio 10 is a positive. Folio 37. Photographic negative, undated, of which folio 11 is a positive. Folio 38. Photographic negative, undated, of which folio 12 is a positive. Folio 39. Photographic negative, undated, of which folio 13 is a positive. Folio 40. Photographic negative, undated, of which folio 15 is a positive. Folio 41. Photographic negative, undated, of which folio 17 is a positive. Folio 42. Photographic negative, undated, of which folio 19 is a positive. Folio 43. Photographic negative, undated, of which folio 20 is a positive. Folio 44. Photographic negative, undated, of which folio 21 is a positive. Folio 45. Photographic negative, undated, of which folio 27 is a positive. Folio 46. Photographic negative, undated, of which folio 28 is a positive. Folio 47. Photographic negative, undated, of which folio 30 is a positive. Folio 48. Photographic negatives for which no print is held in the archive. Photographic negatives (2 on 1), undated: (i) middle aged women standing; (ii) young girl standing, holding a cat, in a garden enclosed by railings. Folio 49. Photographic negative, undated: woman in a hat and wearing a long check coat, with a stole, holding the hand of a young boy, both standing before a pair of mill stones in a woodland setting. Folio 50. altformavail 5f3b05246140cfc38531f8d65baf7fdd Digital copies of some of these photographs are available. The items in this bibliography are arranged by first date of publication. Folio 30 was published in the `Scotsman`, 28 July 1960. Folios 20 and 26 were published in `From Instinct to Self: Selected Papers of W R D Fairbairn`, volume 1, edited by E Fairbairn Birtles and D Scharff (Jason Aronson, 1994). Folios 1-2, 5, 9-15, 17, 19, 21, 27-28 and 30 were published in `From Instinct to Self: Selected Papers of W R D Fairbairn`, volume 2, edited by E Fairbairn Birtles and D Scharff (Jason Aronson, 1994). 0b3e31cb8fb864792aff14dcdfee6fce accessrestrict 621f399b583f156693c51c7866a48440 Normal access conditions apply. userestrict c996488095b0c44310cd57699cb66228 Normal reproduction conditions apply, subject to any copyright restrictions. |
Scope and Contents | The photographs are arranged chronologically. Unless otherwise specified the photographs are black and white. Photographic prints. Photographic copy, [20th century], of a studio portrait, [1891], of William Ronald Dodds Fairbairn with a dog. Folio 1. Photographic copy, [20th century], of a studio portrait, [?1895], of William Ronald Dodds Fairbairn. Folio 2. Carte-de-visite, 1902, of a studio portrait of William Ronald Dodds Fairbairn, standing. The portrait is from the studio of Alexander Ayton, Edinburgh. The reverse of the card has been inscribed by Fairbairn: “To dearest Mother With Ronald’s fondest love June 15. 1902”. Folio 3. Carte-de-visite, 1902, of a portrait of William Ronald Dodds Fairbairn, seated. The portrait is from the studio of Alexander Ayton, Edinburgh. The reverse of the card has been inscribed by Fairbairn: “To dear Mother With Ronald’s best love June 15. 1902”. Folio 4. Photographic copy, [20th century], of a photograph, [circa 1904], of William Ronald Dodds Fairbairn on the external steps of a property. Folio 5. Cabinet photograph, [circa 1907], of a studio portrait of William Ronald Dodds Fairbairn standing, holding a book. The portrait is from the studio of [Alexander] Ayton, Edinburgh. Folio 6. Cabinet photograph, [circa 1907], of a studio portrait of William Ronald Dodds Fairbairn, head and shoulders only. The portrait is from the studio of [Alexander] Ayton, Edinburgh. Folio 7. Photographic portrait, [1915], of William Ronald Dodds Fairbairn in military uniform as a Second Lieutenant, 440 Siege Battery, Royal Garrison Artillery (Territorial). The portrait is from the studio of James Norval, Dunfermline. Folio 8. Photographic proof, [20th century], of a copy of a photographic portrait, [1915], of William Ronald Dodds Fairbairn in military uniform as a Second Lieutenant, 440 Siege Battery, Royal Garrison Artillery (Territorial). Folio 9. Photographic portrait, [1926], of William Ronald Dodds Fairbairn. Folio 10. Photographic copy, [20th century], of a photograph, [1929], of: (left to right) Mary Fairbairn, Ellinor Fairbairn and William Ronald Dodds Fairbairn. Folio 11. Photographic copy, [20th century], of a photograph, [1930], of: (left to right) Ellinor Fairbairn and William Ronald Dodds Fairbairn in Angus. Folio 12. Photographic proof, [20th century], of a copy of a photograph, [circa 1930], of William Ronald Dodds Fairbairn on holiday in Scotland. Folio 13. Photographic copy, [20th century], of a photograph, [1934], in Edinburgh of: (top row, left to right) William Ronald Dodds Fairbairn; Cecilia Fairbairn; (bottom row, left to right) Cosmo Fairbairn; Nicholas Fairbairn; Ellinor Fairbairn. Folio 14. Photographic copy, [20th century], of a photograph, [1937], taken in the Lake District showing (left to right): William Ronald Dodds Fairbairn; Cosmo Fairbairn. Folio 15. Photograph, [circa 1938], of (left to right): William Ronald Dodds Fairbairn; Nicholas Fairbairn. Folio 16. Photographic copy, [20th century], of a photograph, [1939], of: (left to right) Ellinor Fairbairn; William Ronald Dodds Fairbairn. Folio 17. Photograph, [circa 1942], of: (top row, left to right) Cosmo Fairbairn; Ellinor Fairbairn; (bottom row, left to right) Mary Fairbairn; Nicholas Fairbairn; William Ronald Dodds Fairbairn. Folio 18. Photographic proof, [20th century], of a photograph, [circa 1949], taken at Gifford of: (left to right) Nicholas Fairbairn; William Ronald Dodds Fairbairn. Folio 19. Photograph, [circa 1949], of William Ronald Dodds Fairbairn in his consulting room in Grosvenor Crescent, Edinburgh. Folio 20. Photograph, [1949], of Cosmo Fairbairn at Fountains Abbey, Yorkshire. Folio 21. Photograph, [circa 1950], of Nicholas Fairbairn at an unknown location. Folio 22. Photograph, [circa 1950], of Lochside Cottage, Duddingston, Edinburgh. Folio 23. Photograph, [circa 1950], of: (left to right) unidentified female; William Ronald Dodds Fairbairn; unidentified male. Each person is wearing a label which would suggest that they may be delegates at a conference. Folio 24. Another photograph, [circa 1950], of the same group shown in folio 24, in the same order, but close up. Folio 25. Photographic enlargement, [20th century], of the head and shoulders of William Ronald Dodds Fairbairn taken from folio 25 (above). Folio 26. Colour photograph, [1959], taken at Lochside Cottage, Duddingston, Edinburgh, of: (left to right) Nicholas Fairbairn; Cosmo Fairbairn; William Ronald Dodds Fairbairn. Folio 27. Photograph, [circa 1959], taken at Lochside Cottage, Duddingston, Edinburgh, of: (left to right) William Ronald Dodds Fairbairn; Marion Fairbairn. Folio 28. Photograph, [circa 1960], of: (left to right) Marion Fairbairn; William Ronald Dodds Fairbairn. The photograph is from the Courtland Press Bureau. Folio 29. Photograph, [1960], taken at Adam House, Edinburgh, of: (left to right) William Ronald Dodds Fairbairn; John Sutherland; Winifred Rushforth. The photograph was taken by the ‘Edinburgh Evening News’. Folio 30. Photocopy, [20th century], of a photograph, [circa 1960], of William Ronald Dodds Fairbairn relaxing, probably at home, with a cat. Folio 31. Photographic negatives from which certain of the images from the sequence folios 1-29 are prints. In most cases these will not be the original negatives. There date is uncertain. Photographic negative, undated, of which folio 1 is a positive. Folio 32. Photographic negative, undated, of which folio 2 is a positive. Folio 33. Photographic negative, undated, of which folio 5 is a positive. Folio 34. Photographic negative, undated, of which folio 6 is a positive. Folio 35. Photographic negative, undated, of which folio 9 is a positive. Folio 36. Photographic negative, undated, of which folio 10 is a positive. Folio 37. Photographic negative, undated, of which folio 11 is a positive. Folio 38. Photographic negative, undated, of which folio 12 is a positive. Folio 39. Photographic negative, undated, of which folio 13 is a positive. Folio 40. Photographic negative, undated, of which folio 15 is a positive. Folio 41. Photographic negative, undated, of which folio 17 is a positive. Folio 42. Photographic negative, undated, of which folio 19 is a positive. Folio 43. Photographic negative, undated, of which folio 20 is a positive. Folio 44. Photographic negative, undated, of which folio 21 is a positive. Folio 45. Photographic negative, undated, of which folio 27 is a positive. Folio 46. Photographic negative, undated, of which folio 28 is a positive. Folio 47. Photographic negative, undated, of which folio 30 is a positive. Folio 48. Photographic negatives for which no print is held in the archive. Photographic negatives (2 on 1), undated: (i) middle aged women standing; (ii) young girl standing, holding a cat, in a garden enclosed by railings. Folio 49. Photographic negative, undated: woman in a hat and wearing a long check coat, with a stole, holding the hand of a young boy, both standing before a pair of mill stones in a woodland setting. Folio 50. |
Bibliography | The items in this bibliography are arranged by first date of publication. |
Access | Normal access conditions apply. |
Alternative Format | Digital copies of some of these photographs are available. |
Consult at | National Library of Scotland |